As an art professor and curator, Asha focuses on exploring and challenging public discourses on the lived realities of race. She believes that it is possible to question and portray the image of a nation to itself and to audiences abroad. She has also formally studied narrative nonfiction practices for many years, seeking creative examples that deepen an understanding of contemporary multiculturalism.
Now as an Alfred Landecker Democracy Fellow, her project explores cross-cultural solidarity across communities that are often kept apart by geographic or political distance. She is the organizer for a contemporary art exhibition that explores and reactivates global interpretations of the classic story A Raisin in the Sun by Lorraine Hansberry.
Her project explores cross-cultural solidarity across communities that are often kept apart by geographic or political distance.
In 1959, the stage play A Raisin in the Sun originally debuted in New York on Broadway. The historic play told the story of a fictitious Black American family in Chicago, the Youngers. Their patriarch has passed away and bequeathed a life insurance payout that the family could use to purchase their first home and, thus, enter the American middle class. There is an unexpected yet archetypal challenge for this Black family when multiple generations gather at their mother’s tiny apartment to debate the possibilities of self-determination within a race-biased society, and whether or not they should move into a non-integrated neighborhood where they won’t be welcome.
This project transcends national borders and brings together various interpretations of a story that is shared by many people in various countries and contexts
Today, the play remains significant for many reasons. Playwright Lorraine Hansberry became the first Black woman to have a show produced on Broadway. A Raisin in the Sun won the New York Drama Critics Circle award that year and was eventually translated into thirty languages. This Black American story has been produced globally for sixty years, particularly across Europe, as an arts-based format to produce a dialogue on migration and immigration histories.
Now, Asha’s 2021 exhibition–simply titled “Raisin”–will bring together global, multicultural, multidisciplinary artworks inspired by the legacy of this play. This project transcends national borders and brings together various interpretations of a story that is shared by many people in various countries and contexts. From politically driven integration in the United States in the 1960s to migration and integration across Europe over the past decades.
Raisin brings together a global network of artists who are thinking about and creating public conversations around identity and migration in many different places and ways. It additionally builds an artistic network and virtual community that is in constant conversation about the Black experience as global and relatable, as opposed to the isolation and lack of value that racism would prefer us to believe and feel.
After the initial exhibition, the show will travel to arts venues and cities around the world, creating unique opportunities for public engagement in each place.
Choosing to base the exhibition on film, video, and photography is especially crucial during this moment of COVID-19. It enables artists and creative works to come together virtually.
Asha will primarily open this exhibition at the 6018 North experimental art space; a three-story house on a residential block in a formerly all-white, now integrated neighborhood in Chicago. The “Raisin” exhibition is 6018North’s presentation for the Chicago Architecture Biennial Fall in 2021. After the initial exhibition, the show will travel to arts venues and cities around the world, creating unique opportunities for public engagement in each place.
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